Moore returned on day two of the festival in a purple gown that didn’t work as well.

Her off-the-shoulder gown was crafted from a gauzy, see-through fabric that wrapped around her body. It was form-fitting and extended into a long, split train behind her.

The color was stunning on Moore, but its shimmering material didn’t photograph well.

A lining underneath the custom Gucci piece could have improved the iridescent effect.

Alexandra Leclerc and Charles Leclerc looked glamorous together.

The newlyweds walked the “La Vie D’Une Femme” red carpet together in classic eveningwear.

Alexandra Leclerc wore a strapless, semi-sheer Paolo Sebastian gown covered in rose-gold mesh and sequins, while her F1-driver husband wore a classic Giorgio Armani tuxedo.

He embellished the latter look with a bow tie and a diamond, leaf-shaped brooch.

Gillian Anderson’s look was almost perfect — but not quite.

The actor arrived in a sleek, baby-pink gown with four thick straps across the shoulders. The straps and belt around her waist were adorned with chunky crystals and pearls.

Though the color and style suited Anderson, the Miu Miu gown’s silhouette could have been tailored to her better.

Aja Naomi King stunned in white.

The actor chose a white Miu Miu gown for the second day of the 2026 Cannes Film Festival, and it was the perfect choice.

The dress was made from a statement floral lace that was sheer enough to reveal her pink satin slip beneath. It also had ruffled feathers, adding another feminine touch.

She completed the look with a diamond choker necklace and a white flower in her hair.

Diane Kruger’s accessories made her outfit look too much like a costume.

The actor attended the third day of the festival in a satin halter minidress with an all-over floral print.

The Givenchy dress was pretty and feminine, and it perfectly matched her bow sandals. She also wore diamond jewelry that complemented the look.

Unfortunately, Kruger also wore a thick green cape that tied around her neck and almost reached the floor. The piece didn’t fit the outfit and made it look like a costume.

Barbara Palvin and Dylan Sprouse complemented each other in chic ensembles.

The model, who announced that she’s pregnant, hit the red carpet in a powder-blue Miu Miu gown with sheer cap sleeves, a long pleated skirt, and a feather-fringed hem.

The gown was stunning and had the perfect moment to shine, especially since her husband wore a classic black Prada tuxedo.

Simone Ashley looked like red-carpet royalty.

Ashley, who stars in “The Devil Wears Prada 2,” matched the carpet in her strapless, red gown.

The vintage piece, from Alexander McQueen’s fall/winter 2005 line, had a form-fitting bodice and a pleated mermaid skirt.

She wore the gown with a diamond necklace and her hair styled in loose waves.

Andie MacDowell opted for an edgy look, but it missed the mark.

She wore an archival Alberta Ferretti gown that was black and made from semi-sheer fabric.

The pleated piece had a long skirt, a sleeveless top, and a harness-style piece of fabric across the chest.

The dress looked a bit too dark and serious for MacDowell, who is usually all smiles and fun on red carpets.

Cate Blanchett looked like she’d stepped out of the 16th century, and that’s a good thing.

Her custom Louis Vuitton gown was made from black velvet. The form-fitting piece had a mermaid silhouette, a short train, and a square neckline.

All of the above worked for Blanchett, but none could compete with the gown’s stunning ruffled collar.

The latter highlighted her bob haircut and gave the outfit a medieval feel.

Araya A. Hargate’s accessories weren’t the best choices.

Hargate wore a royal-blue gown from Tamara Ralph for the film festival. The satin piece hugged her body and had a structured bodice complete with a dramatic, off-the-shoulder waistline.

The gown’s shape and vibrant color looked glamorous on the actor.

However, it was styled with a thick diamond choker necklace, a floral brooch, a thick bracelet, long earrings, rosy makeup, and an updo hairstyle, which aged Hargate and distracted from the gown’s elegance.

Chloé Zhao took a fashion risk that paid off.

The “Hamnet” director arrived on the red carpet in an animal-print design from Schiaparelli.

The semi-sheer dress, called the Isabella Blowfish dress, was tan with all-over black spots, a ruffled peplum at the waist, and spikes at the shoulders.

The designer brand said on its Instagram page that the haute couture look was inspired by its namesake fish.

Colman Domingo’s outfit could have been improved with one small tweak.

Domingo always shines on the red carpet, and his appearance at Cannes was no different.

He wore a Valentino ensemble comprised of black trousers and a purple tulle top with puffed sleeves, sequined stripes, and a short cape in the back. He also wore a diamond brooch, rings, and a watch.

The outfit was solid, but the pinstripes on his pants slightly clashed with his top. A darker pair of solid-black trousers would have made the outfit sharper.

Bella Hadid looked flawless in white.

The model and Cannes regular arrived in a custom Prada midi dress.

The satin, strapless piece had sequins across its neckline, and Hadid wore a matching bolero around her shoulders.

She also wore white pumps, diamond jewelry, a slicked-back hairstyle, and glowing makeup.

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